AS-FX - Adam Schwartz - Compositor

PROJECT Royal Pains (USA) CLIENT The Molecule DESCRIPTION Green screen replaced with 3D multi-layered matte painting.	PROJECT GE - Electric Cattle CLIENT MPC - NY DESCRIPTION Exterior wall recreated in 3D space as brick, CG engine and cow added to scene, parts of scene repositioned and colored to client specifications.
PROJECT Lights Out (FX) CLIENT The Molecule DESCRIPTION Coliseum built out of many individualy shot layers of the crowd, Ring was shot HD and scaled into coliseum. Lights and Jumbotron are CG.	PROJECT Rescue Me (FX) CLIENT The Molecule DESCRIPTION Shot was keyed, then inserted over a 3D, texture mapped setup of a firey building. Smoke was then added.
PROJECT Clearasil - Perfectawash CLIENT The Mill DESCRIPTION CG elements were recomposited and tweaked to reformat the spot for HD. Elements were then matched to current client specs.	PROJECT Royal Pains (USA) CLIENT The Molecule DESCRIPTION Trees were added to the scene to make it more like Summer. Camera was tracked and trees are positioned in 3D space.
PROJECT Rescue Me (FX) CLIENT The Molecule DESCRIPTION Interior of the car was shot with black-screen outside. A matte painting was added of Ground Zero. Multiple layers of people running, debree, dust, smoke, and ash were composited together.	PROJECT DirecTV - Questions CLIENT Method Studios DESCRIPTION The Flamingo and John Cleese were shot separately against different bluescreens. They were composited together over a background, and then they were manipulated to intereact together, the flamingo grabs a peanut out of John's hand.
PROJECT DirecTV - Questions CLIENT Method Studios DESCRIPTION The screen was a bluecreen, John Cleese was keyed, and then the screen was turned into a physically-scrolling canvas, portraying a landscape scene behind him.	PROJECT Borgia (Canal+) CLIENT The Molecule DESCRIPTION Sky replaced, tower and roofline modified, features cleaned.
PROJECT History Channel - Station bump CLIENT The Molecule DESCRIPTION Shoot was personally supervised. Man was shot on greenscreen, composited into a CG environment where the History Channel logo forms in front of him, as he interacts with it.	PROJECT NYC 22 (CBS) CLIENT The Molecule DESCRIPTION Shot was camera-tracked and stabalized. The building was then changed as though it was just hit by the wrecking ball, with debree falling off. The wrecking ball and crane were CG elements. The camera motion was then reapplied.
PROJECT The League (FX) CLIENT The Molecule DESCRIPTION Fire and smoke were added coming out of the character's crotch.	PROJECT Borgia (Canal+) CLIENT The Molecule DESCRIPTION Bruise was added to girl's face.
PROJECT Borgia (Canal+) CLIENT The Molecule DESCRIPTION Shot was keyed and camera-tracked. Set extension was added in 3D space. Reflection on the mirror was also added.	PROJECT Blue BLoods (CBS) CLIENT The Molecule DESCRIPTION Day for night.